Musical Colour on the Flute: Classical & Contemporary | Pablo Carpio Hernández

In this interview, I speak with Vienna-based flutist Pablo Carpio Hernández, who grew up in Spain and began playing the flute at school—an early encounter that quickly grew into a deep and lasting passion. This love for the instrument led him to Vienna, where he studied flute at the University of Music and Performing Arts Vienna (mdw), one of Europe’s leading music institutions.

Pablo reflects on the transition from student life to working as a professional freelance musician, speaking openly about the challenges of becoming your own teacher: learning to recognise where corrections are needed, while also giving yourself acknowledgment for progress and achievements. He shares thoughtful insights into the physical demands of being a flutist, particularly the central role of breath and physical wellbeing. While listening to one’s body and knowing when to rest is essential, Pablo also discusses the reality that musicians cannot always stop playing when they are not feeling at their best—and how to navigate this balance without letting limitations define you.

We talk about his strong connection to classical music, especially the Romantic period and French repertoire, as well as his enjoyment of contemporary music, which he approaches as a different musical language with its own rules, sounds, and mindset.

As a flute teacher, Pablo speaks about how his own learning journey allows him to deeply understand his students, meet them where they are, and encourage them with empathy and clarity. He also reflects on his collaborations and concert experiences over the past year, offering insight into his evolving career as a performer.

It was once again a pleasure to talk to Pablo. His genuine love for music and the flute is unmistakable, and this conversation offers a thoughtful and inspiring look into his development as both a flutist and a teacher.