The Art of Conducting with Gabriel Gordon
In this interview, I speak with Gabriel Gordon, an accomplished Music Director, conductor, and violinist whose career spans the United States, Australia, and Europe. Gabriel currently serves as Music Director of The New American Philharmonic and is a frequent guest conductor with Chamber Orchestra Ogden and The Nova Chamber Series.
Gabriel’s journey began early — he started performing professionally as a violinist at just 14 years old. From a young age, he knew his true calling was conducting. By observing great conductors and seizing early opportunities on the podium, Gabriel gradually shaped his craft into a highly respected international career.
Alongside his conducting work, Gabriel is passionate about music education. He serves as Orchestra Director at Syracuse Arts Academy and is a board member of The Davis Arts Council, helping nurture the next generation of musicians.
One of Gabriel’s greatest joys as a conductor is working with ballet companies. He shares fascinating insights into the art of conducting ballet — a role that requires deep collaboration with dancers, choreographers, and musicians to bring storytelling to life through movement and music. Conducting for ballet is not only about keeping perfect tempo but also about breathing with the dancers, shaping phrases to match choreography, and creating seamless coordination between stage and pit.
Gabriel has conducted productions for Ballet West, including The Nutcracker, Rodeo, Les Noces, Dracula, and Stars and Stripes. His ability to blend precision with artistry makes him a sought-after conductor for both symphonic and dance productions.
In this conversation, Gabriel opens up about his career, the unique challenges and rewards of conducting, and his passion for connecting audiences with music through performance and education.